‘Poetry & Painting: Conversations’
An Interdisciplinary Conference
You know how
I feel about painters. I sometimes think poetry
Frank O’Hara, ‘John Button Birthday’ (1957)
The supposed similarity between poetry and painting was famously characterised in Horace's ‘Ars Poetica’ by the dictum ‘ut pictura poesis’ (‘as is painting, so is poetry’). Yet in 1766, Gotthold Ephraim Lessing influentially argued for the limits that condition these different art forms — how could a visual scream ever be rendered linguistically?
The intense and ambivalent relationship between the so-called “sister arts” of poetry and painting has long been a subject of critical enquiry. The multiple tensions and affinities shared by these expressive forms are fruitful topics of a discussion that is currently enjoying a revival both within and beyond academia.
This symposium seeks to ignite and develop critical and transhistorical conversations about the interplay between the sister arts.
Contributors may consider, but need not be limited to:
Ekphrasis and ekphrastic writing
Illustration and other “composite” modes
Co- and inter-disciplinarity
Narrative, time and temporality
Tone, texture, and style
Questions of form
Issues of historicity
Interrelations between poetry, painting and other forms (e.g. photography and film)
Theories of the visual and the gaze
Interpretation and revisionism
Colour, mood, affect, and play
Proposals are invited for twenty-minute papers, to be delivered as part of panels of three. Individual proposals (of 250 words), and panel proposals (of up to 700 words), for three papers that interact under a common theme, are warmly accepted. Creative responses are also welcome.
The conference’s plenary speakers have been confirmed as Professor
The deadline for submissions is 30 November 2019 and the conference will take place on 23 March 2020 at the Faculty of English, Oxford. We welcome you to disseminate this CFP widely.
This conference is organised in association with the Faculty of English, Oxford.